A dangerous secret lurks just under the surface in the play, “Bad Medicine,” making its debut at the Santa Fe Playhouse. Written by P.C. Verrone (Osage and Kiowa) and produced with a largely Native cast, it is a live production that claims elements of both horror and comedy. It comes with a warning that it “sheds light on how settler colonialism dehumanizes and exploits Indigenous peoples.”
Brooklyn, N.Y.’s renowned Spiderwoman Theater is marking 50 years of Indigenous plays, outreach, and education. Rising from the feminist movement of the 1970s, its core leadership under Lisa Mayo, Gloria Miguel, and Muriel Miguel have built the space into a destination for urban Native storytelling. We’ll talk with the organizers about the the mission and legacy of this groundbreaking theater.
This program is archived on nativeamericacalling.com
GUESTS
P.C. Verrone (Osage and Kiowa descendent), playwright
Tara Moses (Seminole Nation of Oklahoma and Mvskoke), playwright, director, and actor
Muriel Miguel (Kuna and Rappahannock), artistic director of Spiderwoman Theater
Gloria Miguel (Kuna and Rappahannock), founding member of Spiderwoman Theater